Paul Giles • Comedian, Writer, Comedy Writer
Bio
June 2024 • Paul Giglia
My real name is Paul Giglia, but I performed and wrote under the name Paul Giles for many years, first in the Bay Area and then on the East Coast. While in San Francisco I was a regular performer and often booked at the Holy City Zoo, but was primarily a comedy writer, selling material to the local/national comics. After our two kids were born (1984 and 1988) I didn’t do much performing, although I still wrote.
In 1989 we moved East, where I stayed home to raise our kids. This gave me the opportunity to concentrate on writing as well as a new comedy career. I soon became a regular at clubs in the area, opened for music acts at a high-end music venue, and worked the road. However, I continued writing, selling many gags to Jay Leno, who used them on “The Tonight Show,” Bill Maher, who used them on his then Comedy Central Show, writing skits for an award-winning NPR radio comedy show, newspapers, magazines, etc. I was also a staff writer for two seasons on the A&E Network’s “Caroline’s Comedy Hour,” hosted by the late great Richard Jeni.
Eventually, though, kids grow up and so do comedians and decided I was getting too old for this…um, stuff. I was lucky enough to land a job in Cleveland at American Greetings, where I was the editor (and a writer) in their Alternative card lines, which are the funny, edgy style. We moved there in 1996. Great job, great people. Perfect for someone like me. However, hard times hit the greeting card industry, and after five years of fun and creativity I and 1,500 other were laid off one day.
From there I used my talents for other corporate jobs, finally settling on a position as a copywriter in the advertising department of a large regional bank based in Cleveland. I retired completely in 2019 and have been happy not having to get up in the morning ever since. I still keep busy working on photography and guitar as hobbies, and also stay in touch with many of the good and talented friends I made while working during that magical time in San Francisco comedy.,
• Reviews • Pull Quotes • Blurbs •
Buffalo News review, I was middling for Margaret Smith. The reviewer only mentioned me in passing, saying I was uproarious – and spelled my name wrong.
Giles is passionate in his defense of the basic joke form. “We are trying to give some validity back to the gag” he says. “To many people the gag is the lowest form of comedy, the one liner is passé. But look at funny movies, at situation comedies. If they are funny, there are gags in there. Setups. Payoffs.” ~ The San Francisco Chronicle • 1984
Quick Takes
First Contact
with comedy
Moving to San Francisco and watching the open mics at the clubs.
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Note: The plastic sleeve to Paul's right holds a magazine article. "Then freelance writer, Craig Vetter wrote an article on the "Zoo" that was published in the March 1979 issue of Playboy magazine. Across the country a couple of dozen bar owners read about this new concept of live entertainment happening in San Francisco: Stand-up comedy". ~ John Cantu
showcase on Thursdays
The Boarding House
Thursday Comedy Showcases • 1980
San Francisco
Why so Special…
At the time, the creative people working the clubs were not only funny, but also realistic. They knew they were going to have to hone their acts and work their craft slowly, night by night, bit by bit. The open mic-ers who stuck with it were doing it for the good time slots, not just hoping to get a gig. And of course it was possible during the time I was there to work almost every night of the week at some club or bar.
Freedom
in those early days
There was nothing like it anywhere. The pressures of New York or Los Angeles weren't there. People were free to fail without putting a stop to their careers. Experimentation was the norm, not the exception. And very important, we forged friendships that have lasted until today.
Marin TV Show
LIVE Taping
On stage taping for Marin 11, along with other comics, Mike Bizarro and Tom Finnigan - Cantu dubbed the three of us 'The Unholy Comedy Trinity'.
HCZ Wine List
Comedy Comedy Comedy
The comedy shows at the Holy City Zoo were started in spring 1975 by Darryl Victor Dubin as a fill-in between the sets of a belly-dancer performing on Wednesday nights. Shortly afterwards, the Holy City Z00 started featuring comedy every Sunday night. Tony DePaul, a local comedian, took over production and under his direction, the comedy shows were expanded to seven nights a week. In June 1980, John Cantu took over production of the stand-up shows. In January 1981, the San Francisco Council on Entertainment nominated the Holy City Z00 for the Cabaret Gold "Outstanding Caberet" Award. As the longest running club in Northern California, the Holy City Zoo has been responsible for the development of more major comedy acts than just about any other club in the country.
OTHER BAY AREA GIGS / EVENTS OF NOTE
A Dry Run for Nationwide laughter
John Cantu arranged for Tom Finnigan, Mike Bizarro (Iapoce), and myself to do a show on the Marina Green. It was some sort of national event – “A Pacific Ha!” – put on by a woman who was a conceptual artist. This was just part of the whole event where everyone in America was supposed to have a good laugh. Cantu asked the three of us to do the show because we always worked “clean.” Said John, “That’s important, because there may be a few children in the audience.”
A few children. When we arrived at the Green (it was early morning, no less), we found the audience consisted of about 200 children and a few adults watching them. And by children I mean elementary school age kids. Now, it’s not like Mike, Tom, or I had any material for the nap-time crowd, but we were committed. Asking us who wanted to go first, Mike and Tom bravely took one step back and said, “Giles!” Well, I was stuck. I went up to the microphone and just started doing my five minutes.
Naturally, I was talking to myself, as the kids had no idea what I was talking about. However, making things worse (if possible), I kept hearing a couple high-pitched voices yelling, “Yay, Paul! Yay Paul!” I looked over and there were some adults in full clown makeup and clothes cheering me on. I never hated clowns before that show, but I now get the shakes whenever I see one.
Mike and Tom valiantly did their sets, but of course the results were no better. I looked around for Cantu, but he wasn’t nearby. He had walked up the street about four blocks. When I asked him why, he said, “I just couldn’t bear to watch. I just couldn’t.”
I’ve had bad gigs, bad shows, bad opening acts, but this was one show I’ll never forget.
On the Guest List
At My Wedding
Cantu, Gonzo, and Tony DePaul attended my wedding. They came directly from their weekly softball league game. When they got to the house where the wedding took place, one of them said, “Hey, are we supposed to bring a gift?” So they grabbed an envelope and stuffed it - with about $6 in bills and small coins that was all they had. Loved it! Tom, Mike, and Ruby Cooper were guests. Lots of fun.
Writing Seminars
Gag writers deliver a lesson
• San Ramon Valley Herald • May 1984 •
Joking Isn't Just For Laughs
• SF Chronicle • Jaunary 1984 •
Stepping Stone
Handheld Humor
After my comedy career I went into the corporate world. But not the usual type. I got a dream job for a rimshot like me. I became the editor (and writer) at American Greetings in Cleveland of their Alternative card lines. Think Hallmark's ShoeBox line, but funnier and weirder. I worked with a group of strong writers and artists, and my experience on stage and as a writer for other comics gave me the skills to work with these creatives to craft some great funny cards.